Associate Creative Director, Events

About the role

The mission of The New York Times is to seek the truth and help people understand the world. That means independent journalism is at the heart of all we do as a company. It's why we have a world-renowned newsroom that sends journalists to report on the ground from nearly 160 countries. It's why we focus deeply on how our readers will experience our journalism, from print to audio to a world-class digital and app destination. And it's why our business strategy centers on making journalism so good that it's worth paying for.

The New York Times creates original, quality journalism in many forms, from the daily paper to The Daily podcast. Our live events play an important role in this mission, connecting readers to the story and to each other. From flagship convenings like DealBook and Climate Forward to immersive gatherings like Hard Fork Live, New York Times events intrigue, inform and inspire in equal measure.

This is a leadership role for an accomplished creative who can translate the value of world-class journalism into powerful design experiences. You will help bring New York Times journalism to life and create compelling environments for a portfolio of public events and experiences. You will lead creative work that defines both individual events and the overall audience experience across our events portfolio. As part of a cross-disciplinary team, you will shape how audiences experience these moments across every touchpoint, from physical stages to digital screens to marketing assets.

This is a hybrid role based in our New York City headquarters and requires regular in-office attendance three days per week.

Responsibilities

• Lead the strategic visual development and art direction for our portfolio of public events and experiences, demonstrating expert knowledge of spatial design, environmental graphics, wayfinding, audience journeys, live audience engagement, and meticulous physical execution.
• Guide the creative lifecycle of each event-from naming and foundational identity to marketing campaigns, live production, and post-event storytelling.
• Thoughtfully integrate the design of sponsor support into revenue-generating events, balancing business objectives with an audience experience that reflects the values of our journalism.
• Art direct video interstitials and live screen graphics, working closely with our Senior Writer for Events to merge narrative outlines with visual storytelling, and collaborating with editors and motion designers to create work that defines the event experience.
• Work across editorial, events, and marketing to secure resources, navigate live-event production challenges, and steward relationships between editorial priorities and advertising objectives.
• Oversee the thoughtful documentation of our events, working with photo editors to capture high-quality visual assets that extend the life of the experience and support future programming and partnerships.
• Manage and mentor a design team dedicated to event projects, cultivating an environment of high-quality execution, continuous learning, and diverse perspectives.
• Demonstrate support and understanding of our value of journalistic independence and a strong commitment to our mission to seek the truth and help people understand the world.
• You will report to the Creative Director for Culture, Communications and Live Experience.

Basic Qualifications

• 10+ years of hands-on experience in brand identity, spatial and experiential design, environmental graphics, and live-event production.
• Experience designing for physical environments, including signage systems, audience wayfinding, and large-scale event graphics.
• A versatile design portfolio showcasing an experience with layout, typography, and experience handling high-profile editorial content and designing around newsmakers.
• A strong conceptual understanding of motion design and the ability to think in and direct motion, with considerable experience collaborating with external motion design studios or internal teams to execute graphics for event screens, presentations, and digital platforms.
• Familiarity with video production workflows and experience directing editors, motion designers, and video teams on larger-scale event productions.
• Proficiency across contemporary design tools (Figma, Adobe Creative Suite) and presentation software (Google Slides), with a strong understanding of motion workflows and social publishing platforms.
• B.A., B.S., B.F.A. or M.F.A.

Preferred Qualifications

• A track record of effective people management, including creating robust development plans, delivering actionable feedback, and fostering an environment of trust and respect.
• A high bar of accountability and the ability to navigate the demands of live-event production under tight deadlines.
• A genuine passion for journalism and a deep curiosity about our work and company-we hope you enjoy reading, watching, and listening to it.

Additional Compensation and Benefits

For roles in the U.S., dependent on your role, you may be eligible for variable pay, such as an annual bonus and restricted stock. Benefits may include medical, dental and vision benefits, Flexible Spending Accounts (F.S.A.s), a company-matching 401(k) plan, employee stock purchase plan, paid vacation, paid sick days, paid parental leave, tuition reimbursement and professional development programs.

• For roles outside of the U.S., information on benefits will be provided during the interview process.
• #LI-Hybrid

The annual base pay range for this role is between

$148,000—$170,000 USD

Candidate Use of GenAI Tools

• We're excited to learn more about you and your experience. To keep our hiring process as fair and authentic as possible, we ask that you submit your own work and not use GenAI tools to generate substantive content during the application and interview process.
• If you're an engineering candidate, we'll let you know what specific GenAI tools you are permitted to use for your technical assessment.

• The New York Times Company is committed to being the world's best source of independent, reliable and quality journalism.
• To do so, we embrace a diverse workforce that has a broad range of backgrounds and experiences across our ranks, at all levels of the organization.
• We encourage people from all backgrounds to apply.

For information about The New York Times' privacy practices for job applicants,

• Please beware of fraudulent job postings.
• Scammers may post fraudulent job opportunities, and they may even make fraudulent employment offers.
• This is done by bad actors to collect personal information and money from victims.
• All legitimate job opportunities from The New York Times will be accessible through The New York Times careers site.
• The New York Times will not ask job applicants for financial information or for payment, and will not refer you to a third party to do so.
• You should never send money to anyone who suggests they can provide employment with The New York Times.

If you see a fake or fraudulent job posting, or if you suspect you have received a fraudulent offer, you can report it to The New York Times at. You can also file a report with the Federal Trade Commission or your state attorney general.